[59] Records reproducing works: Nick Morgan, ‘“A new pleasure”: Listening to National Gramophonic Society records, 1924–1931’, Musicae Scientiae 14 (2010), 139–64 [151].
[60] Culshaw’s innovative production: David Patmore and Eric Clarke, ‘Making and hearing virtual worlds: John Culshaw and the art of record production’, Musicae Scientiae 11 (2007), 269–93 (to hear his recordings on Spotify search for ‘Solti Ring’). Gould’s innovative production (e.g. of Jean Sibelius’s Kylliki): Kevin Bazzana, Glenn Gould: The Performer in the Work (Oxford: Oxford University Press, 1997).